PalaisFloral

Branding, marketing and environmental peripherals for a Parisian artistic flower show.

Timeframe
  • 2025 • 3 months

My Roles
  • Brand strategy

  • Visual identity

  • Art direction

  • Graphic system

  • Campaign & collateral design

Type
  • University project

PalaisFloral is a speculative floral artistry festival bringing together art, fashion and design at Paris’s Grand Palais.

The identity balances the culture and prestige of its setting with the energy and experimentation of a contemporary festival.

Concept / Brand Strategy

How could floral artistry be exhibited with the same cultural prestige as art, fashion and design?

Concept

A curated festival devoted to showcasing local Parisian and international floral artistry, design and fashion.

Market Gap

Existing similar events promote themselves as traditional horticultural shows, broader art festivals or somewhere in-between.

PalaisFloral caters to a diverse audience of creative professionals, art connoisseurs and a cultured public

Positioning + Values

PalaisFloral is highly experimental and somewhat niche, but strictly non-exclusive or -pretentious.

Innovation, Sophistication & Beauty, Uniqueness and Creativity

Opportunity

By focusing on the intersection of nature and creativity, PalaisFloral differentiates itself and creates a novel, unconventional experience.

“PalaisFloral offers a sophisticated, curated exhibition showcasing floral artistry as a unique intersection of nature, art, design and fashion.
Held in and around the prestigious Grand Palais, our festival provides a focused artistic experience unlike broader art events or traditional horticultural shows.”

Research

Flexible Colours and Gradients

Eurovision 2024

National Gallery of Canada

Blanc! 2020

Modular grids, repeated graphic elements and adaptable layouts create flexible identities that scale across print, digital and environmental applications.

2 banners hanging from a pole showcasing the Eurovision 2024 identity.A series of 3 posters showcasing the Blanc! 2020 identity.
A visual of the National Gallery of Canada's flexible branding system applied across a range of business cards, which each feature a unique colour within the palette and one of the many lockups of the logomark. A line of screens showcasing various advertisements for Eurovision 2024.

Geometric Identity Systems

Eurovision 2024

Blanc! 2020

No More Sapos

Simple geometries form the bases of these identities, ensuring brand recognition is strong across all media.

It also ensures the branding is able to take a backseat to any content introduced.

A graphic showing the Blanc! 2020 identity across of a range of media.The flexible geometric branding system for the No More Sapos campaign.

Dynamic Typography and Composition

Blanc! 2020

Aires Libres 2019

Unconventional applications of typography because graphic elements in and of themselves, allowing more expressive identities without adding more elemements.

2 posters showcasing the Aires Libres 2019 identity. A still from the Eurovision production showcasing the title card of Switzerland's act.

Development

Logo Development

Although I explored several design directions, I landed on the vertical 4-petal flower as it proved to be distinct, elegant, geometric and context-appropriate.

The flower design is inspired by the architecture of the Grand Palais and Petit Palais.

Early sketches of the logo trying out different design directions.Digital development of the logo.
Iterations of the combination markThe flower logo overlaid over the roof of the Grand Palais and the entrance of the Petit Palais, with the geometry lining up in both.

Colours and Gradients

I explored different colour directions. The first direction was vibrant, the second more restrained. I settled on a third that balanced dominance with elegance.

The gradients are direct combinations of the palette’s colours. Some gradients required tuning to remove muddy transition colours.

I removed orange from the final palette as it unnecessarily overcomplicated the system.

A graphic showing the development of the colour palettes. A graphic showing how the colours combine to create the gradients.

From Mark System

I directly used the mark to create brand assets like background patterns and as a compositional device in and of itself.

A graphic showing the development of several types of posters.

Identity System

Applications

3 iterations of posters under the End of Year Exhibitions 2025 Branding System. One poster is for the exhibition itself, another is for the Graphic Design discipline itself, and the final one showcases a piece of student work.

EYE 2025

A student exhibition’s branding identity to celebrate creativity, diversity and potential.

  • Visual identity

  • Branding

  • Environmental design

View project

An overhead shot of a colour swatch fandeck splayed out. The fandeck displays a full range of bright colours across its swatches, and showcases the exprimental typeface FIT Variable on its cover.

FIT Type Specimen

An experimental colour swatch form factor to showcase an experimental typeface.

  • Experimental typography

  • Typesetting

  • Product design

View project